Sep 14, 2006
Movie of the week - The Rock
Director Michael Bay has been credited for being the youngest billionare director in Hollywood. His collaboration with the genius (and extremely wealthy) producer Jerry Bruckheimer has seen many hits such as Bad Boys I & II, Armageddon and Pearl Harbour. He has been widely acclaimed for his control of action-packed movies such as the ones mentioned before. I've always been a big fan of his use of the camera on characters, as well as his fast editing sequences.
The Rock is still one of my favourite English movies. It had a 'different' plot, controlled acting, punchy dialogues, fast-paced action and creative cinematography. The shot of the F18s whizzing past a kneeling Nicholas Cage with Hans Zimmer's climatic music still creates one of my classic climaxes of all movies so far.
Credit should to to the director for setting the pace of the movie while giving time to the established actors to get their characters into motion. Hans Zimmer is one of Hollywood's better composers whose accomplishments include The Lion King and Gladiator. The theme to Black Hawk Down is still one of my beloved themes. I've always been a huge admirer of his compositions, and the background score to The Rock does not fail to impress.
The highlight of Michael Bay's movie is the use of the cameras and fast editing to create an atmosphere of action and pace during the action scenes. His use of slow-motions and dolce orchestral music during these sequences show some of his really innovative film-making techniques that I've hardly ever seen before in another director's movie.
Some of the 'easter eggs' that are characteristic of a Michael Bay movie include the slow-motion high angle spiral shot of an actor (usually the main character) as he/she picks himself off the ground. Look out for it - its... different.